The Metal Crypt (Rating 4.5 / 5)
http://www.metalcrypt.com/pages/review.php?revid=3462
(written by Sargon the Terrible)
Valhom "Despair"

I reviewed Valhom's second CD Desolation a few years ago, and I thought it was a good underground BM album, so I was pleased to be offered the chance to review their new one. Valhom are yet another one-man US Black Metal band making their way in the underground, and their new album Despair is a very different beast than their last one. Desolation was almost atmospheric in places, with a muted guitar tone and involved harmonic melodies. Where that album was soft, Despair is hard as a rock, with a blisteringly heavy guitar sound and precise pounding drums. The melody is still there, but the attack is much more vicious, producing a savage, ripping Black Metal assault that never lets up. From the opening assault of "Eternities Ago" Valhom call to mind such luminaries as Graveland or Immortal. The riffs on here are really excellent, with furious tremolo shredding mixed in with more epic sequences and some real Thrash chunk thrown in for good measure. And yet Valhom do not surrender the melodic intricacy that was the hallmark of their last album, and this is both a visceral assault as well as an album that rewards repeated spins. Classic without sounding derivative, aggressive without losing depth, Despair is a don't-miss album this year. Strongly Recommended.

German Webzine Metal District (Rating 7.5 / 10)
http://www.metal-district.de/cdreview.php?ID=4142
(Translation and Review by Velvet)

Valhom "Despair"

Valhom - Despair (english) It seems as if the black metal world is more and more inhabited by one-man-bands, also VALHOM alias Lord Temptation is one of these species and thrashes quiet oldschool-like through his nine songs. Thats the point, on which one could end the description of the music, if there weren't some more differencies to other inhabitants of this genre. First to mention is the Lord's penchant to talk. The lyrics are anything but skimpy. In round about fife minutes a song he tells half novels, groaning, crying or whispering. Always technically distorted, which surprisingly fits well to the most times very fast songs. On the vocals I would have wished for some more variety nonetheless. But they can be found, the moments when this supersonic speed slows down, and then there can be found fine keyboard melodies, which would be fine for Dimmu Borgir as well ("Demise"), or an interesting guitarlead creeps from the background and unveiles a desperate peace of music. But both doesn't last long to make room for the monotone, but not really boring old school threshing again. "All life has perished" delivers on two quiet independent levels a hunted and a groovy part together, on one hand the drums, which slowly and rhytmically groove and a hunted guitar above. Strange, but somehow it fits together. In accordance with the CD's title the casted feelings are desperate and bleak, hopeless and cold. VALHOM comes out as really nice old school BM, and although there are some alien elements it is really trve and without frills. Some moments of diversification make sure you won't get a heart attack (which is somewhat surprisingly considering the speed), but mostly the Lord threshes quiet pure through his desparation. In moments even quiet good. In the supersonics not bad but rather average, in some 'slower' parts he shows a remarkable talent for the drumsticks. In opposite to most other one-man-bands this is manual labour, too. Respect!

Invisible Oranges Metal Blog
http://invisibleoranges.com
Valhom "Despair"

Despite its title and one-man origin, Despair (Ars Magna, 2007) isn't depressive black metal. It's actually rather kick-ass, due to a robust drum machine (either that, or someone used triggers something fierce). Lord Temptation's (what a name!) drum programming is varied and surprisingly human-like, resulting in a dynamic listen. Poison Which Flows in My Veins Demise Adding welcome heaviness, and leavening the requisite tremolo picking, are palm-muted riffs that suggest traditional metal. Discordant string rakes ripple between washes of jazzy chords. The mix is strong, putting the raspy vocals upfront but not annoyingly so. Keyboards bubble up tastefully in the background; the piano flourish in "Poison Which Flows in My Veins" recalls early Moby (!). I wonder if Valhom plays live, as the lyrics are quite verbose. For example, "Nocturnal Reception" has six verses and two choruses, adding up to 36 lines to memorize! The lyrics aren't particularly lyrical, but they deal with nature themes, which I'll take over wrist-slitting any day. This may be Burzum on steroids, but it's compact, consistent, and enjoyable..

 

Burning Black Webzine
http://www.burningblack.net/Valhom_review.htm
(written by AP)
Valhom "Desolation"

This album is the second full length Cd of this US Black Metal band, formed back in ‘99 by Lord Temptation, who has become the only stable member of the band (which have never being more than a duo). Musically Valhom delivers a highly intricate and complex Black Metal, with some traces of bands such Emperor and Tartaros in the drowned keyboards melodies and chaotic fast passages in the finest vein of Immortal and Dissection. The blurry and electric guitar riffs drive the whole music through intricate structures, adorned by the atmospheric keyboards which add an almost symphonic aura, but never becoming protagonist, always quite buried under the almost impenetrable wall of darkness created by the tight drumming and the intense riffing. The vocal work is highly remarkable, with an extreme and raspy tone adds, probably, the rawest element to the equation. The music of Valhom is much more than the sum of its elements, the atmospheres created by the whole instrumentation are just amazing. Incidental effects decorates the apocalyptic panorama, like some gloomy, clean almost lyrical female voices that makes its appearance here and there, being its most remarkable interlude (and at the same time an incredibly simple one) at the 6th track “Glory an Death”… The production of this album is pretty good, with a strong and powerful sound improving even more the musicianship of Valhom… I really don’t know what else to say… “Desolation” is an incredibly work; full of complexity, intricate structures and chaotic, hellish and turbulent atmospheres, it conjugates the savagery of traditional Scandinavian Black Metal with the intelligence of modern Black Metal. So, if you enjoy the mentioned bands, especially the turbulent atmospheres of Emperor and Tartaros, this album will easily fit in your collection.

Pull The Chain Webzine
http://www.pullthechain.be/
(written by Patricia)
Valhom "Desolation"

«Desolation» is my first contact with the American (Chicago based) Valhom and judging from the album art, the pics and the label they are on it, it’s quite obvious they play old school European style black metal. Fortunately, Lord Temptation and Lord Deception have derived most of their musical style from the old Dissection albums and made a rather good copy of guitar axed melodic black metal. «Desolation» is even more ‘depressive’ in atmosphere than the new Dissection album which flattered to deceive at times. The song writing is interesting and Valhom capture the right feeling for this style, playing some melodic black songs that need several careful listens. Some themes may sound too repetitive and you can at times get lost in the music but generally there is enough variation within the songs to stop this happening to often. I really like the vocal works delivered throughout «Desolation», Lord Temptation’ vocal approach is at first nothing special but it not only suits the musical direction very well, it also grows on you after two or three listens. The downside to this album would be the lack of real identity but it’s absolutely no major problem as «Desolation» features a high entertaining value.

The Metal Crypt (Rating 4 / 5)
http://www.metalcrypt.com/pages/reviews.php?revid=2313
(written by Sargon the Terrible)
Valhom "Desolation"

I'm glad I gave this album time, as I like it much better than I did the first spin I gave it. Valhom are a pretty underground band from the US metal Mecca: Chicago, and this is actually their second full-length album. As far as I know they are not signed to a real label, so a second release so soon is an impressive enough accomplishment. Valhom play Black Metal, with a stylistic thrust somewhere between early Emperor and maybe Dissection. The vocals especially remind me of Jon Notveidt with that almost sharp raspy tone. At first, I thought this was a rather featureless album of generic Black Metal, but I kept listening, because something about it tugged at me. You have to give "Desolation" some time to sink in, as this is really very cool melodic BM, but it is not accessible, and it will take some time before you start to really get the good stuff: the churning assault of "Damnation Seed", the shaded harmonies of "Thy Blood Paints The Sky", and the epic closer "Infernal Legions". The only complaints I have are a certain mushiness to the guitar recording, so that you hear the notes, but you don't hear the strings actually being hit – you know the kind of sound I mean? I like to hear those frigging strings being shredded, and when it sounds like the strings are just humming while the frets get throttled – it's just not as cool to me. Also, despite the hidden joys of this album, there are places where Valhom just go on too long, and pad out the songs by repeating riffs too many times. Overall, this is a really enjoyable Black Metal slab that just takes a few more listens to really appreciate. Valhom are certainly a band to keep an eye on, as with a slightly meaner, more upfront guitar sound and some minor tightening of their songwriting, they could produce a real underground classic next time around, but that doesn't mean fans of true Black Metal should miss this one.

 


Korea's Anarchist's Radio (Rating 9 / 10)
(Translation by Byung)
Valhom "Journey of Blood"

The music which is recorded on this record is considerablely great and it is cool that this black metal band is proud of the mote the place where it is being created, the keyboard performance which creates the atmosphere of Valhom shows vividly with the drums and guitars blending in nicely. Valhom has the possibility as the most successful black metal band the usa is holding. Only has appeared that was only possible for only the Judas Iscariot doing this type of metal from America. This band of Chicago Valhom carries the essence of black metal.

 


German Webzine Metal District (Rating 7 / 10)
http://www.metal-district.de/ugreview.php?ID=64
(Translation by TarotsMyst)
Valhom "Satan's Castle"

Who would have thought it - America, the country of unfettered impulses, famous for import hits like Britney (fuckin') Spears, the Backstreet Idiots, and many other worthless wackos, for once has tried something quite different. While all the people that live in the puritanical regions of the country really work themselves into an incredible state over a "Ooops! ... I did it again", it nevertheless appears that settlers from the highlands of Norway had arrived in other regions of the country during the last century, and whose descendants now for their part blaspheme as they always have done and create the thing that they're best at: "BLACK METAL". So here we have VALHOM, true to the motto, that in a country where so much idiocy and apathy reigns, there really must be some bright spots that exist as well (wait a moment, hmm, that is definitely open to interpretation, whether one should really talk about bright spots in this case, ha ha). With an agreeably brutal force these newly-appeared American black metallers storm into action, as anyone can easily convince themselves by hearing their "Satan's Castle" album. The disc consists of 5 tracks and a playing time of 26 minutes. Technically-speaking one has to mention that the vocals are a little bit too much in the foreground. It also mostly sounds as if the frontman has swallowed a toilet brush and is trying now to fetch it out, meanwhile in the background the instruments are clanging away comfortably muffled. Besides all this, the singer (can one really call him that?) manages most of the time to not stay in time with the instruments, and during all the speed he really sounds like as if he were trying to make an ill-fated attempt to breathe, as if he were simultaneously about to keel over. (Satan would be pleased *s*). Despite these facts, you can't really grumble too much, because the songs are well thought out. Even though there's really nothing new here, regardless all the songs are quite good, however I especially like tracks 3 and 5. Track 3 because of its beginning, which creates a really nice atmosphere, with which you can really plunge away into mystical worlds. Track 5 is really the shocker song, which gives you goose-pimples, and which fans of Britney should not attempt to listen to in the darkness. Just like Track 3 it begins with a synthesizer and ends up climaxing with brutal and ripping force. I think this track is the most technically rich. With all of its flaws, I think the CD is still worth 7 points, alone for the facts that the songs are good, the band comes from America, and I am I certain that I couldn't grunt any better myself. If I've perked your interest and you are a sworn black metaller, then I can do nothing but recommend this CD. Simply contact Lord Temptation at the Valhom website.

From the PAhungerzine
http://www.angelfire.com/fm/pahungerzine/sreviews.html
(written by Pennsylvanian Hunger Zine editor)
Valhom "Satan's Castle"

This CD features all music done by Lord Temptation(and Tim F. on studio drums.) The first song "Across The Blackend Shadows" has an intro which i don't really care for but afterwards kicks into some good steady midpaced black metal along with the next song "Chaos". "Throne Of Thorns" falls upon next with a pretty grim keyboard intro, and leads with some good black metal, at times really reminds me of JUDAS ISCARIOT. "Blood Of The Horned Father" is a very good song with some solid drumming and good riffing, the only thing that takes away from it is a keyboard part that dosen't really fit in. The last song is "Satan's Castle", it starts off with a synth intro that is good, and then follows some really solid black metal with some good use of keyboards, this is probably the best song off the demo in my opinion as it stands out and has some good lyrics as well as some old school thrash metal parts. This demo is pretty misanthropic with occasional keyboard interludes that aren't bad at all! If you like raw midpaced black metal that is pretty tight check out VALHOM.


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